Nigerian Duo the Lijadu Sisters’ Full Discography to Be Reissued in Partnership With Numero Group

The Lijadu Sisters and Numero Group have signed an expansive new partnership that seeks to bring justice to the legendary Nigerian duo’s catalog, it was announced on Wednesday (July 10).

Composed of identical twin sisters Taiwo and Kehinde Lijadu — who are second cousins to Afrobeat pioneer Fela Kuti — the Lijadu Sisters arose as fearless and groundbreaking leaders in the male-dominated Nigerian pop music scene. The duo fused Afrobeat, pop, psychedelic rock, reggae, disco and jazz music with messages about gender equality, government corruption, love and more in both English and Yoruba. They toured with Nigerian jùjú musician King Sunny Adé, David Byrne, Ginger Baker and Art Blakey and, during a 2014 appearance on The Tonight Show Starring Jimmy Fallon, performed in the Atomic Bomb! band tribute to Nigerian musician William Onyeabor.

Related

How a New Generation of African Women are Redefining Afropop

03/24/2022

The sisters, whose alté ethos paved the way for modern female African artists like Amaarae and Tems, released five albums in the 1970s under Decca Records’ Afrodisia imprint. That was followed by Double Trouble, a 1984 compilation featuring hits from those albums released by Shanachie Records. The Nigerian duo later signed a 10-year licensing agreement with Knitting Factory Records around 2011, according to a recent Rolling Stone profile, with four albums being reissued under the deal. They regained control of their catalog in 2021, two years after Kehinde died of metastatic breast cancer at age 71.

While their work has inspired a wide range of artists, according to the Rolling Stone profile, the sisters’ music and likeness has been exploited for decades and they’ve struggled with copyright infringements and unpaid royalties. Nas‘ “Life’s Gone Low” track from his 2006 The Prophecy, Vol 2: The Beginning of the N mixtape contains an uncredited sample of the duo’s “Life’s Gone Down Low” from their 1976 album Danger. And Taiwo’s current manager, Eric Welles-Nyström, told Rolling Stone that Ayra Starr failed to properly clear “Orere-Elejigbo,” a song from the sisters’ 1979 album Horizon Unlimited that Starr sampled on her 2021 track “Sare”. He added that they’ve found more than 50 total infringements of the sisters’ work to date.

The new partnership with Numero Group is meant to honor the duo’s legacy through the launch of a multi-year, multi-record reissue campaign to finally — and rightfully — bring their entire discography to the masses.

Kicking off the campaign will be the release of a remastered and restored version of Horizon Unlimited, which contains the hit “Come On Home.” Five-time Grammy-winning engineer Michael Graves, who remastered Blondie‘s Against The Odds: 1974-1982 and Written In Their Soul: The Stax Songwriter Demos, is remastering the six-track album, which is currently available on DSPs and will be re-released on CD and vinyl on Sept. 20. The album’s physical packaging will include the first-ever transcription of the record’s lyrics in both Yoruba and English along with corrected album credits, original artwork and more.

Numero Group will eventually reissue all of the band’s albums as well as a collection of rediscovered, previously unavailable singles, promo EPs and rare recordings.

“I think one of the most exciting things about the reintroduction of Horizon Unlimited is the fact that young folk love our music and are surprised at the upbeat tempo and the lyrics, which are not only of today, but also very futuristic as well,” said Taiwo in a press release. “Horizon Unlimited was our last album with Decca that came out in 1979. It’s been a long time since then and this really is part of a much longer story, but amongst one of the most significant things I remember was that we, The Lijadu Sisters, paid for all the studio and band session fees. At the time, this was unusual, and not the arrangement we had with that record label. We were originally meant to record at Decca West Africa in Lagos, but when we got to the studio, no one had told us that it was being upgraded — from eight tracks to 24. So we brought everyone to London and made the album there instead.”

The Lijadu Sisters’ partnership with Numero Group “is allowing us to reach out to younger people. What’s going to come is creative collaborations with their music or their story, working with filmmakers and writers, trying to set stuff up creatively for Taiwo and younger artists,” Taiwo’s current manager, Eric Welles-Nyström, told Rolling Stone.

Allison Daniels shares new single, “You Can’t Buy Me”

Country artist Allison Daniels asserts her worth and her voice in the new single “You Can’t Buy Me” Quebec City-based country singer-songwriter Allison Daniels is a rarity – a young artist who has made her living almost exclusively as a working musician and her sound is impossible to pigeonhole. It’s a seamless blend of rock, traditional country, and swampy blues, with hints of country pop haunting the edges. On June 21, via 604 Records/Warner Music Canada, she proved her worth […]

The post Allison Daniels shares new single, “You Can’t Buy Me” first appeared on Canadian Beats Media.

Nathaniel Rateliff & The Night Sweats “South of Here”

Nathaniel Rateliff & The Night Sweats lay bare emotional struggles and doubts on their fourth studio album, “South of Here.”

“South of Here” is the latest album from Nathaniel Rateliff & The Night Sweats, showcasing their brand of heartland rock that the band is bringing to a headlining tour, currently in Europe. They return for a mid-August stretch in the USA, counting on the allegiance of their fans as well as Rateliff’s dynamic, Jaggeresque stage presence to fill larger venues.  In September, they will be joining My Morning Jacket on a co-headliner junket with the two bands alternating opening or closing the shows.

Since honing their craft in rock venues around Colorado, the band has released four albums in less than a decade. This latest effort was produced by Brad Cook and recorded at Sonic Ranch outside El Paso, Texas. “South of Here” reckons with a lifetime of pain and trauma as Rateliff ruminates on the potent emotions that come to the surface. The album follows “And It’s Still Alright,” Rateliff’s 2020 solo LP, and “The Future,” the band’s acclaimed 2021 release.

“Brad was a great producer to write alongside. This album is a look into my own struggles with anxiety, insecurity, and also shares stories of my life. He encouraged me to take responsibility by the narrative in the songs and write about what’s happening in my own life,” Rateliff noted. “These recordings were made together in a room with my closest friends. I hope the songs and stories give you an opportunity to better understand your own struggles, whatever they may be.”

Lyrically, the album feels like it could have been another Rateliff solo effort, though the music comes across as that of a tight-knit band. Adding horns is a nice touch to “South of Here’s” 11 original tracks, all written by Rateliff (vocals, guitar) and backed by The Night Sweats: Luke Mossman (guitar), Joseph Pope III (bass), Mark Shusterman, (Hammond B3, piano), Patrick Meese (drums, piano), Daniel Hardaway (trumpet), Jeff Dazey (tenor sax), and Andreas Wild (baritone sax).

Its foremost theme hovers in a perpetual state of “Who am I, where am I going and why is life so hard?” That’s not breaking any new ground previous records haven’t already explored, in searching for truth like metal detectorists Andy and Lance (“The Detectorists”) trudging the fields of rural Suffolk hoping to unearth valuable treasures. They display the same energy and confident strut throughout that has been their calling card from the beginning. It’s a stark contrast to the array of emotions projected in the songs, ranging from vivid portraits of loss, addiction, anger, guilt, sadness, and probably a few others to sort out.

This makes perfect sense considering that before Rateliff could focus on making a new album he had to steady himself. He recalls struggling with an unusual level of anxiety for months. “I was not in a great headspace,” he says. “I was neurotic about imperfection. Any detail that was off was a real distraction that was keeping my mind in this constant state of negativity.” In January of 2023, he headed to North Carolina to work with Cook. During the ten days spent together, they broke through the haze of anxiety and doubt, finding a rhythm and writing a handful of songs for Rateliff to bring back.

The album’s title track ponders the possibility of survival and reinvention. It was one of the last songs Rateliff penned and sums up much of what he’d been feeling. “So much has changed in my life and for us as a band, and I’m grateful for it,” he said. “At the start of my career, it felt like the bottom was going to drop out and now, for the moment anyway, it seems to be sustainable. But when things become too much for me, I think about disappearing and never getting on the stage again.”

There’s no overlooking the driving ‘Heartless,’ the single chosen to pave the way for “South of Here.” It’s becoming an in-demand staple of playlists on Sirius radio and all the usual streaming services. The song references a time years ago when Rateliff and Night Sweats bassist Joseph Pope III left their Missouri hometown and settled out west. “My childhood left me so broken that I didn’t know/We were coming out even,” Rateliff sings, recalling the hardships they encountered. Their long, arduous journey is further explored on the closing song, ‘Time Makes Fools of Us All,’ referencing Pope’s battle with cancer. “When disease came to steal you, I shaved my head and mourned.”

‘Get Used to the Night’ is a propulsive tune supported by the effective use of horns. Here Rateliff pays homage to his friend and collaborator Richard Swift, whose untimely death from alcoholism was a traumatic wake-up call. “You run ahead and I’ll catch up to you/Still so much left for me to do,” he sings with tender resignation.

‘David and Goliath’ once again addresses the emotional struggles everyone faces in one way or another, though not in the biblical sense the title suggests that with God nothing is impossible. The song fails to provide any resolution, instead circling back to all the elusive questions, harmful patterns and lingering doubts littered like fast food wrappers and crushed soda cans on the curb of Rateliff’s psyche.

Fans of the band will likely adore this new outing, while those just discovering them will either join their devotees or turn elsewhere, not unlike the reception accorded to bands such as JJ Grey & Mofro and Marshall Tucker.

“I always try to put some bit of hope in there,” Rateliff said, attempting to burn off some of the gloom his lyrics project. “The world feels pretty bleak right now, but nobody needs me to say that. We have to continue to figure out a reason to make things better.” It serves no purpose remaining “alone in my head,” a phrase from ‘Center of Me,’ especially if his catchy woe-is-me songs lead to success on the charts.

South of Here by Nathaniel Rateliff & The Night Sweats

Create Fresh Animations For Music : Animate Your Music For Social Media

If you are working on your music promotion, you no doubt need some fresh animations and content to share your music on social media. With this new tool, you can create animated music visualizers in minutes to use in your music advertising campaigns.   Create Animated Social Media Content To Promote Your Music Use our […]

The post Create Fresh Animations For Music : Animate Your Music For Social Media appeared first on Soundplate.com – Record Label & Music Platform.

Ghost Fan Club • 2024

Ghost Fan Club by Ghost Fan Club

Knifepunch Records

“With a soft and cautious style, the track tiptoes forward with something between bummed out slacker stillness and a kind of weighted trepidation, as sad and scared and bored as any spirit unable to pass on. But the ghost here is still very much living, the life slipping past before his eyes very much his own.”– VARIOUS SMALL FLAMES

“While on its surface, the statement feels like it reflects an empty way of moving through the world—there is a richness to the lived experience of drifting. Costolo puts words to the current way many of us are experiencing everything today, no longer real participants in our lives, but spectators of them.” –DOUBLE NEGATIVE

“Inspired by emo bedroom music and released through the Florida DIY label knifepunch records, we hear elements of Elliott Smith, Sparklehorse and The Antlers in the poignant guitar sound as Tyler discusses the never-ending pressure of life and reveals how painful it is when you feel that you are just drifting as life passes you by.” – SPECTRAL NIGHTS

https://linktr.ee/ghostfanclub

“I wrote these songs during a point of major turmoil in my life. I was mostly drifting along, trying to make peace with so much of my existence being out of my control and time slipping by while I was trying to catch up. I started working on a lot of the songs all the way back in 2021 but wasn’t in a situation where I could comfortably record. I felt desperate to get the tracks finished but was bouncing around unable to find any footing, which I think you can feel in the songs themselves. 
I wanted actual drums for the first time in my music making journey which is where Tom Morris came in. I think that addition really makes a difference between these songs and my previous body of work.” – Tyler Costolo (Ghost Fan Club)

Ticketmaster Claims Taylor Swift Eras Tour Tickets Are Safe Following Data Breach — But the Hackers Say Otherwise

Following reports of hackers’ $8 million ransom demand for Ticketmaster customer data – seemingly including that of Eras Tour passholders – Live Nation is denying the claims and maintaining that Taylor Swift tickets are safe. Live Nation’s Ticketmaster said as much in a statement to HackRead, which has covered the data-breach fiasco from the get-go. […]

Queens Of The Stone Age Cancel Tour Dates As Josh Homme Requires Emergency Surgery

American rockers Queens Of The Stone Age have cancelled eight upcoming European shows as singer-guitarist Josh Homme needs to urgently return to the US for “emergency surgery”.

The band, who toured Australia back in February and played at MONA FOMA and Lookout Festival, announced the news on social media last night (9 July).

“QOTSA regret to announce that Josh Homme must return to the United States immediately for emergency surgery,” the band wrote of the cancelled shows from 10-27 July. “Every effort was made to push through and play for you, but it is no longer an option to continue.”

Five of the band’s appearances at festivals have been cancelled, including Festival Jardin Sonore in France, Pohoda Festival in Slovakia, Colours of Ostrava in Czechia, Athens Rocks in Greece, and Electric Castle Festival in Romania. Gigs in Berlin, Vienna, and Zagreb also won’t be going ahead.

Adding that ticketholders for the festival shows can view the festival websites for more information, and ticketholders for the headline gigs will be contacted, the band said:

“Queens are gutted we aren’t able to play for you. We apologize [sic] for any inconvenience and share in your frustration and disappointment.”

The Music sends best wishes to Josh Homme and the band at this time.

Last June, Homme shared that he’d been diagnosed with cancer and had successful surgery to remove a tumour.

“I never say it can’t get any worse. I never say that, and I wouldn’t advise it,” Homme said. “But I do say it can get better.

“Cancer is just the cherry on top of an interesting time period, you know? I’m extremely thankful that I’ll get through this, and I’ll look back at this as something that’s fucked up — but will have made me better. I’m cool with that.”

In November, Homme revealed some good news: he’d been given the “all-clear” from his doctors.

Discussing his cancer treatment in an interview with ITV News, the singer said, “I’m good. I’m all clear. It’s the kids that have made me feel better, you know, whether they’re out in the crowd or in my own home, so I feel the best I’ve felt all year.”

Queens Of The Stone Age’s Australian tour dates followed the release of their long-awaited eighth album, In Times New Roman.

Embedded Content