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Known for their Stax/Volt session work and backing the likes of Isaac Hayes and Otis Redding, catch a glimpse of this electric set of Memphis-based The Bar-Kays at 1972’s iconic Wattstax festival. Self-dubbed “Black Rock” like the name of their 1971 album the year prior, the band’s guitar-driven slab of heavy funk in the Sly/Funkadelic vein is powerfully captured both in the concert’s double album soundtrack and in the Mel Stuart-directed Wattstax film. “A convergent point between, soul, funk and rock ‘n’ roll”, as Stax retrospectively identifies such eclecticism.

The post Black Rock :: The Bar-Kays at Wattstax first appeared on Aquarium Drunkard.

Somewhere, a producer who spent a decade learning how to make music is splitting the streaming royalty pool with a prompt.

The post Suno Creator Insists He’s “Not Trying to Flex” After Revealing Over $10K in Monthly Royalties appeared first on EDM.

The Denver-based DJ and producer has moved into a transparent box on the outskirts of the city, vowing not to leave until his next album is finished.

The post Jaenga Is Living Inside a Glass Box Until He Finishes a New Album appeared first on EDM.

The DJ channeled Master Chief in front of a sold-out crowd during his set at the debut NYC edition of his curated event, Zedd In The Park.

The post Watch Zedd Take the Drums to Perform the Iconic ‘Halo’ Theme in NYC appeared first on EDM.

The two-day takeover from Miami powerhouse BLNK CNVS will return to The Warehouse at the Nashville Fairgrounds December 30-31.

The post Nashville’s NYE Event, To The Future, is Back With GRiZ, Tape B and More appeared first on EDM.

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Next year’s edition of the Austin festival is slated to run from March 17-21.

From her debut album Unstoppable to No Me Arrepiento de Sentir Tanto, see Billboard’s ranking.

Ari agreed, writing in comments that she was “so grateful” for the Eternal Sunshine get-together on Sunday night (Aug. 16).

A lot of audio interfaces are sold on clean conversion, more I/O, and low-latency performance. Those things matter, but they do not always answer the more interesting question for producers: what happens before the sound ever reaches the DAW? That is where Harrison Audio’s new Flex-10 feels more interesting than a normal desktop interface announcement. […]

Read More… from Harrison Flex-10 Puts Console Color on the Desk

The post Harrison Flex-10 Puts Console Color on the Desk appeared first on Magnetic Magazine.