Category: News

Junior Jack reflects on his multi-decade creative journey, the evolution of house, and the 100th release on his record label, Adesso Music.

The post Junior Jack on His Approach to House Music: “I Don’t Overthink It” appeared first on EDM Identity.

The event, now in its 16th year, goes down Oct. 28-30 in Ojai, California.

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This summer, UK measurement body Barb began reporting audience figures for a selection of the most-watched YouTube channels, reigniting an ongoing debate in the industry over whether YouTube can be considered as (or even compared with) TV in the eyes of advertisers. While Google and TV broadcasters approach the issue with their own arguments (largely Read More

The legacy division of Sandbox Entertainment will work with the icon’s three sons.

“So Sweet & Willing” is the latest single from the French ambient artist’s Year0001 release

A major update to the long-running mastering package adds three modules, an upgraded Master Assistant and a new IRC limiting mode – with editions ranging from Elements to Advanced and a 10-day trial available. 

iBoston-based audio software developer iZotope has announced the release of Ozone 12, the latest iteration of its long-running mastering suite. Released just last week, the new version introduces a range of new tools. At the heart of the update is an emphasis on stem-based processing and artificial intelligence. Ozone 12 now allows users to apply equalization to specific elements – such as vocals, drums, bass, and other instruments – within a stereo file using the new Stem EQ. This function addresses a longstanding limitation in mastering, where engineers typically work with a stereo mix rather than multitrack stems.

A new Bass Control module also enters the suite, promising more consistent low-end across various playback systems. It uses machine learning to analyse and adjust sub-bass and bass frequencies.

Tailored AI

Ozone 12 continues to develop its AI-powered Master Assistant, first introduced in earlier versions. The updated assistant now enables a customisable workflow, allowing users to choose modules, define loudness targets, and apply genre-specific settings. While automation in mastering software is not new, the option to tailor AI suggestions rather than follow a rigid path is likely to appeal to producers looking to maintain creative input.

Another key feature is the new Unlimiter module, designed to restore dynamics in over-compressed audio. This tool highlights a broader industry shift where transparency and dynamic range are increasingly valued alongside loudness, particularly in streaming environments.

The updated IRC 5 mode for the suite’s Maximizer component aims to improve clarity without introducing artifacts like pumping or distortion – common issues in brickwall limiting. This aligns with ongoing demands for loud masters that still retain musical detail.

Pricing and availability

Ozone 12 is available in three versions – Elements ($55), Standard ($219), and Advanced ($499). The Advanced edition includes 21 individual plugins and is also bundled in Music Production Suite 8, a larger production package retailing for $799.

Existing customers may be eligible for introductory discounts through October 6, 2025, via iZotope’s website.

Find out more on iZotope. Ten-day free trial available.

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The band will be joined by Queens of the Stone Age and reunited Acid Bath on the seven-date run.

Chicago’s house story has always been one of musicianship, community, and cross-generational dialogue. Few embody that blend more fully than Andrew Emil. Trained as a percussionist before cutting his teeth at Chicago Trax Recording Studios, Emil carries a rare mix of technical craft and cultural fluency into every project. His latest collaboration with Red Eye […]

Read More… from “I feel honored to be making music with some of my favorite people” Andrew Emil interview

The post “I feel honored to be making music with some of my favorite people” Andrew Emil interview appeared first on Magnetic Magazine.

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