Category: News

Kim Deal is back with a vengeance with her debut solo single Coast which aired on Craig Charles 6 Music show today. It has all her hallmark brilliance with horny horns and gives you a taste of what’s to come from the heart of Pixies early stuff she stamped her mark on and still divides […]

The post Pixies bass legend Kim Deal is back with a new solo single! appeared first on Louder Than War.

The wait is finally over for CAMELPHAT fans as the dynamic DJ and production duo drop their highly anticipated single, ‘Endlessly‘. ‘Endlessly‘ features the unmistakable vocals of dance music icon Nadia Ali. Produced earlier this year in Los Angeles, ‘Endlessly’ marks a significant moment in electronic dance music. The track debuted at the brand-new Spotlight nightclub, setting the stage for an exciting summer ahead. This Camelphat superfan is over the moon for this track’s release.

Nadia Ali: The Voice of a Generation

Nadia Ali’s contribution to ‘Endlessly’ is nothing short of spectacular. Known for her haunting tone and poetic lyrics, Ali has been a staple in the electronic music scene. She was also once the frontwoman of group iiO. Her legendary tracks, including ‘Rapture’ and ‘Pressure’, which was famously remixed by Alesso—have earned her GRAMMY and Juno Award nominations. Collaborating with CAMELPHAT, Ali brings a touch of nostalgia and a wave of euphoria to the track. This seamlessly blends with the duo’s smooth production and enchanting piano chords.

A Global Anthem in the Making

‘Endlessly’ captures the essence of summer with its emotive melodies and Nadia Ali’s ethereal vocals. It creates a breathtaking anthem that is set to captivate audiences worldwide. As CAMELPHAT embarks on their 20-date residency at Ibiza’s iconic Pacha, the release of ‘Endlessly’ couldn’t come at a better time. This collaboration not only highlights the duo’s versatility but also cements Nadia Ali’s triumphant return to the forefront of dance music.

With a history of successful collaborations, including recent works with Echonomist and Frankey & Sandrino, Nadia Ali continues to prove her prowess in the genre. ‘Endlessly’ is poised to become a staple in sets around the globe, resonating with both long-time fans and new listeners alike.

Conclusion

The release of ‘Endlessly’ is a monumental event for CAMELPHAT and Nadia Ali, bringing together two powerhouse names in dance music. As the track makes its way into the hearts and playlists of fans worldwide, it’s clear that this is just the beginning of an exciting journey for both the artists and their listeners. Dive into the magic of ‘Endlessly’ and experience the enchanting fusion of euphoria and nostalgia that only CAMELPHAT and Nadia Ali can deliver. ‘Endlessly’ is out now on When Stars Align, and can be streamed below, enjoy!

CamelPhat & Nadia Ali – Endlessly | STREAM

Follow CamelPhat:

Facebook | Instagram | Spotify | Beatport

Follow Nadia Ali:

Facebook | Instagram | Spotify | Beatport

Follow When Stars Align:

Facebook | Instagram | TikTok | Beatport

The post CAMELPHAT Teams Up with Dance Icon Nadia Ali for ‘Endlessly’ appeared first on EDMTunes.

Queen‘s Brian May has opened up about Freddie Mercury‘s last days and reflected on how he “never ever saw him cry”.

READ MORE: Does Rock ‘N’ Roll Kill Braincells?! – Brian May

May appeared in a new interview with AXS TV, and discussed the legacy of the band and how the group essentially gave it up after the passing of the iconic frontman.

“We’d always said that if one of us goes, that’s it. So Roger and I both went out kind of grieving to the max and saying it’s over, we don’t even want to talk about it for quite a long time,” the guitarist shared.

He then went on to speak about Mercury and what he was like during his final days. “We made the last album, the ‘Made In Heaven’ album with the tracks that Freddie had left us to play with and it became a real labour of love because he left some lovely little bits and pieces.

“He was very undramatic about it,” May shared, adding: “I never ever saw him cry or go you know self-pity. He never did that, he was like ‘Let’ just do it, lets keep doing stuff. Freddy was always inspiring. If he was here now, we’d be doing what we always do I’m sure.”

May also discussed Adam Lambert’s role within the band and added that the singer always provides a fresh view on things and is not afraid to be vocal about things they should try. “The songs are not fossils, they’re alive and evolving with Adam which is great. Sometimes he blows my mind,” May said.

In other news, Queen Extravaganza, the official tribute band of rock legends Queen, have announced that they are set to embark on a UK and Ireland tour in 2025.

The tour, which will see them visit 25 venues next year, will mark the 50th anniversary of ‘Bohemian Rhapsody’. As is detailed on their website, Queen Extravaganza is produced with the full backing of Roger Taylor and May. Visit here to purchase tickets and view a full list of tour dates.

The post Queen’s Brian May remembers Freddie Mercury’s final days: “I never ever saw him cry” appeared first on NME.

50 Cent’ ‘Many Men (Wish Death)’ has received an artificial intelligence remix that dubs Donald Trump’s voice over his after the former president’s shooting.

Lil Wayne has appeared to pick a side in the Kendrick Lamar and Drake feud by adding some choice lyrics to ‘The Motto’ during a performance in Las Vegas.

On Friday night (12 July), Fred again.. popped into The Rising Sun pub in Pensford, Somerset, to play a low-key intimate set alongside The Japanese House.

KARA singer Gyuri will be halting all scheduled activities in order to undergo surgery after sustaining facial injuries.

READ MORE: ENHYPEN – ‘Romance: Untold’ review: funky, sultry and incredibly addictive

The veteran idol’s label, Big Boss Entertainment, made the announcement via Sports Dongah on July 13, sharing that Gyuri had sustained both a cheekbone and orbital fracture.

After undergoing a medical examination, medical personnel deemed that Gyuri would require surgery to patch up the fractures, recovery for which will take about “four to five weeks”, per translations by Soompi.

“After careful discussion between the actress and our agency, we decided to have her avoid strenuous activity during the treatment period and focus fully on her recovery,” the statement continued. “Therefore, we are letting you know that [Park Gyuri] will not be carrying out her activities scheduled for the month of July.”

It is currently unclear whether Gyuri will be able to join the rest of KARA for promotions and scheduled activities for their forthcoming comeback, a new single album titled ‘I DO I DO’ scheduled to drop next week on July 24.

KARA’s forthcoming music marks their first release in nearly two years as a group with the release of ‘When I Move’ in 2022. That album was both a celebration of the band’s 15th anniversary as well as their first reunion in seven years with a never-before-seen line-up consisting of both past and current members of the group.

In other K-pop news, SEVENTEEN’s Woozi has refuted a claim made by BBC in an article that alleged the boyband had used AI to write their music. “All of SEVENTEEN’s music is written and composed by human creators,” he wrote on a Story uploaded to his personal Instagram account.

The post KARA’s Gyuri sustains facial fractures, to undergo surgery amid group comeback appeared first on NME.

DIØN has rapidly become more popular name in particular in the world of Hard Dance and Techno. His association with Verknipt has been a key highlight in his career, debuting on their ADE stage in 2021 and quickly becoming an integral part of their global shows. His ROUGH MATERIAL label showcase at Paradiso sold out in minutes, and his epic 10-hour set at Thuishaven in June further cemented his place in the industry. DIØN has garnered support from genre superstars like Amelie Lens and Fatima Hajji, making him a notable figure in the techno scene.

DIØN’s rework of Tiësto’s ‘Traffic’ stands out as a serious achievement. He masterfully blends the iconic elements of the original track with his unique style, featuring aggressive synths, powerful basslines, and intense percussion. The cover, which has been named the official anthem for the Verknipt ArenA 2024 show, resonates with both longtime fans of the original and new listeners, showcasing DIØN’s ability to honor the past while pushing the genre forward.

DIØN’s journey into electronic music started in his childhood. Growing up, he often listened to his father’s Tiësto CDs during car rides, with ‘Traffic’ being a standout track. This early exposure fueled his passion for techno, eventually leading him to pursue a career in music production and develop his signature hard-hitting sound.

The post DIØN’s ‘Traffic’ Rework Becomes Verknipt ArenA 2024 Anthem first appeared on Daily Beat.

Post Content

What We’re Listening To Playlist for 7/08/2024: beabadoobee, My Best Unbeaten Brother, Guided By Voices, Killer Mike, and more! Album Artwork credit via original artists Our What We’re Listening To Playlist is just that. It’s the best music of what we’re listening to from the week all gathered in one place. With this playlist, we […]

The post What We’re Listening To Playlist for 7/08/2024 appeared first on The Daily Music Report.