Category: News

Featuring George Clinton, Kamasi Washington, and Tune-Yards

Out now via Embassy One, Yamagucci delivers a playful, disco-infused take on one of the most uplifting tracks from The Beauty Of It All. Following the release of Monolink’s acclaimed third studio album The Beauty Of It All in September 2025, Berlin-based record label Embassy One now welcomes Yamagucci to the fold, to reimagine one of the standout tracks from…

The post Yamagucci Reimagines Monolink’s “Beacon” appeared first on Only Techno.

…waxing eloquent on the recent Clear Channel announcement.  Well, unfortunately, you would have guessed

The post Roadhouse Blues first appeared on OOH TODAY.

Chris Stussy has announced his long-awaited debut album, ‘Lost, Found & Forgotten…’, set to land on April 3 via Up The Stuss. After years of shaping global dancefloors and defining the sonic identity of his imprint, the Dutch producer now delivers his most personal and expansive project to date. Consequently, the 19-track LP unfolds across …

Chris Stussy announces debut album ‘Lost, Found & Forgotten…’: Listen

The Fourth UK Electronic Music Report shows growth despite a 36% fall in nightclubs since 2020, with regional expansion and export strength offsetting infrastructure pressures.

UK electronic music generated £2.47 billion in measurable economic activity in 2025, according to the fourth edition of the UK Electronic Music Report, commissioned by the Night Time Industries Association (NTIA). The figure represents a 3% increase over the previous year, despite continued contraction in the country’s nightclub infrastructure.

Compiled by Audience Strategies, the report combines economic data with industry testimony to assess the state of the sector. It documents growth in recorded music, exports, and event programming, alongside the structural challenges facing grassroots venues and mid-sized spaces.

Economic Growth Against Infrastructure Decline

The report shows that 823 nightclubs were operating in the UK in 2025, down 36% from March 2020 levels. Despite this, event programming expanded by 10.5% year-on-year, indicating sustained audience demand.

Recorded music and publishing revenues reached £231.4 million in 2025, up 8% from £215 million in 2024. Exports totalled £86.8 million, reflecting 8% growth year-on-year. The UK also maintained a strong international presence, with 13 artists ranking in the global top 100 and 72 in the top 500, placing the country second worldwide for electronic artist development.

However, the report highlights a narrowing of the 500–2,500-capacity “mid-tier” range, which now accounts for just 15% of venues. Authors argue that this creates barriers for artists as they progress from grassroots to large-scale stages.

Grassroots venues are reported to operate on average profit margins of 2.5%, while many operators earn approximately £26,000 annually for working extended hours . Business rates, VAT on tickets and licensing costs are identified as key financial pressures.

Audience Shifts and Regional Change

The data suggests that audience behaviour is evolving rather than declining. Free-entry events now account for 15% of electronic programming, up from 12.4% the previous year. Daytime events have grown by 82% since 2022, and interest in sober events has risen sharply, reflecting broader social trends.

Regionally, the North of England recorded a 93% increase in events between 2022 and 2025, compared with 45% growth in London . For the first time in available Resident Advisor datasets, events outside London accounted for 51% of listings. The report frames this as evidence of decentralisation in the UK.

International comparisons feature prominently. Amsterdam’s annual €2.2 million night-time economy investment, Germany’s recognition of clubs as cultural institutions, and Sydney’s 24-hour economy strategy are cited as examples of coordinated policy intervention.

Industry-Led Responses

The report also documents industry-led initiatives aimed at addressing grassroots fragility. The LIVE Trust, launched in January 2025, introduced a voluntary £1-per-ticket contribution on arena and stadium shows. By late 2025, 28% of qualifying tours had adopted the levy, generating over £500,000 in its early stages.

While the data confirms continued global influence — including UK dominance in genres such as drum and bass — the report concludes that long-term sustainability will depend on structural support for venues and career development pathways .

Its authors position the £2.47 billion contribution as a documented minimum, suggesting that elements of export income and touring revenue remain difficult to measure accurately. The central question, the report argues, is whether policy frameworks will evolve quickly enough to match the sector’s demonstrated economic and cultural impact.

Download the full report for free here.

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“Israel’s Son” was the breakout 1995 single from Silverchair’s debut album, Frogstomp.

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At NAMM 2026, Neural DSP unveiled the Quad Cortex mini, a condensed version of their highly praised Quad Cortex. While less than 50% of the original’s size, the mini features the same internal computing power, a new 7” touch screen, and other smaller changes. In this review, we’ll be taking a look at the little […]

Read More… from Neural DSP Quad Cortex Mini Review: Neural DSP Quad Cortex mini amp modeler

The post Neural DSP Quad Cortex Mini Review: Neural DSP Quad Cortex mini amp modeler appeared first on Magnetic Magazine.

While other DJs were playing house parties and pop-up raves, Chrispin Kaji was chopping wood on a mountain in Nepal to build a table for his decks.

The post DJ Spends Weeks Trekking the Himalayas and Sleeping in Tea Houses to Record High-Altitude Set: Watch appeared first on EDM.