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Kasabian have announced dates for an arena tour in support of their latest album, ‘Happenings’, with selected dates alongside The Streets.

READ MORE: Serge Pizzorno: “Kasabian’s trajectory is exactly where it’s always been, and always will be”

The band kick off the tour tomorrow (July 6) with a homecoming show at Victoria Park supported by acts including Kaiser Chiefs, before heading to arenas in Bournemouth and Bristol. The Leicester group then wrap up their July dates with a headlining slot at Latitude Festival, which will include acts such as Duran Duran, Orbital, The Vaccines, Khruangbin, and Jockstrap.

The Streets will then join Sergio Pizzorno and co for a second leg in November, beginning in their hometown of Birmingham, before hitting Glasgow, London and Manchester. Pre-sale for tickets to the November shows start July 8 at 9:30am BST, with general sales starting on July 10 at 9:30am BST via Ticketmaster.

The dates for Kasabian’s upcoming 2024 tour are:

JULY 2024
06 – Leicester, Victoria Park (with Kaiser Chiefs)
22 – Bristol, O2 Academy
23 – Bournemouth, O2 Academy
26 – Latitude Festival

NOVEMBER 2024 (with The Streets)
08 – Birmingham, bp pulse LIVE
09 – Glasgow, OVO Hydro
15 – London, The O2
16 – Manchester, Co-op Live

The tour follows a secret set that they played at the Woodsies stage this Glastonbury Festival, which marked their fifth appearance at Worthy Farm. Calling Glastonbury “the greatest festival”, Pizzorno noted that the appearance marked “one of the greatest days in this band’s history”, previewing their new record while covering dance classics such as Deee-Lite’s ‘Groove Is In The Heart’.

In an interview released today with NME, frontman Sergio Piozzorno explained the pop-structured mentality behind the band’s eigth record. “Usually, I tend to react to the last album, and I went through it surgically (wahey) so that every eight bars, it hits,” Pizzorno explains. “It’s a pop record, in a way – it’s just big song after big song. I wanted to make the point, then leave as fast as possible.”

Meanwhile, The Streets most recently dropped the contemplative single ‘End Of The Queue’, which was released as part of their upcoming ‘Fabric Presents…’ mix. Mike Skinner’s most recent record ‘The Darker The Shadow, The Brighter The Light’ dropped last October.

The post Kasabian announce 2024 UK arena tour with The Streets appeared first on NME.

New Zealand-based artist Shivnesh Sumer, known professionally as Cymbol, is poised to shake up the electronic dance music scene with his debut album, Distractions. Renowned for his sharp DJ skills and clever production techniques, Cymbol has already garnered a global following eagerly anticipating the release of his first full-length project.

Distractions offers an ambitious blend of Cymbol’s signature electronic style with fresh influences from Hindi and Punjabi music, integrated seamlessly with American hip-hop vibes. Cymbol’s genre-bending sound is anexercise in creative risk-taking, yielding a listen that’s both refreshing and intimate – proof that this artist is committed to evolving and broadening their musical scope.

Distractions benefits from a timely collision of creative forces, as Chitralekha Sen and Markel X.L. converge for a series of spellbinding vocal harmonies. Borrowing from the excitement of Bollywood, the playbook of pop, and the street smarts of hip-hop, this track births a style that’s equal parts sweet melody and rugged beat. An accompanying music video set to release shortly after the album aims to visually capture the essence of this vibrant sonic mixture.

It’s in the grooves of Distractions where we find the echoes of personal transformation, echoes that transcend mere musical textures to become a testament to artistic resilience. The focus track, also named Distractions, is strategically placed as the album’s finale, symbolizing the end of one chapter in Cymbol’s career and the beginning of another. Cymbol’s phoenix-like rise from the ashes is captured in this track, as he sidesteps his past achievements and charts a course for innovative new beginnings.

Since his breakout win at the George FM Remix Competition in 2013, Cymbol’s career trajectory has been nothing short of impressive. International feats decorate his resume, featuring a prized deal with Australia’s Sweat It Out Music and a memorable three-year stretch at Universal AUS/NZ. With every vinyl flip and every stroke of the crossfader, Cymbol injects raw passion into the air, whipping up manic buzz at New Zealand’s hottest festivals and events.

On Distractions, Cymbol unleashes an audacious sonic revolt, fearlessly combing raw electronic edge with ancestral rhythms and time-worn melodic motifs, rendering his already-packed resumé suddenly forward-thinking and refreshingly bold.

instagram.com/cymbol303

July is here, and with it comes the much-anticipated RBC Ottawa Bluesfest, a 10-day summer music extravaganza.
The first day of Ottawa Bluesfest 2024 was a testament to the festival’s diverse and dynamic lineup, promising an unforgettable experience for music lovers.

Headlining the main stage was the ever-energetic Mother Mother, who delivered a stellar performance that set the tone for the evening.
Their unique blend of indie rock and electrifying stage presence had the crowd singing along to every song, making it a perfect climax for the first day.
During the O My Heart, the rain returned for abit but didn’t ruin the show.

Before Mother Mother, the stage was graced by the charismatic Orville Peck.
Clad in his signature mask, Peck’s deep baritone and haunting melodies created an atmospheric set that captivated the audience.
Previewed materials from Stampede and only wished he had special guest on stage like Kylie Minogue or Diplo which would make it a memorable show if he was the headliner.
His mix of country, rock, and Americana provided a refreshing contrast and showcased his versatility as an artist.

The second act of the night, Tokyo Police Club, brought a bittersweet note to the festival as they stopped by Ottawa on their farewell tour.
The band, known for their infectious energy and catchy tunes, delivered a nostalgic performance that resonated deeply with long-time fans.
Catch short for about 10 minutes into the set due to the heavy downpour of the rain.
Their set was a fitting tribute to their journey and left the crowd with cherished memories of their music.

Opening the show was Kingston, ON’s Funeral Lakes.
This rising indie duo brought a raw and emotive performance that set the stage for the evening. Their introspective lyrics and atmospheric soundscapes provided an intimate start to the festival, drawing the audience in and setting a high bar for the acts to follow.

Day one of Ottawa Bluesfest 2024 attendance was modest but this being the first night of Canadian indie music.
The festival got alot of nights to test out how the turn out will fare with bigger acts.
Check out the gallery.

In this exclusive interview, we sit down with the talented Electronic Music Producer and DJ, Craig Oram, to discuss his exciting projects for 2024. From his methods to creating energetic DJ sets to his plans for the upcoming festival season, Craig shares insights into his latest productions and the inspirations behind his unique sound. As he prepares to release new tracks and remixes, Craig talks about his creative challenges, collaborative efforts, and how he plans to push the boundaries of his music. Join us as we delve into the creative mind of Craig Oram and explore what the future holds for this dynamic Producer and DJ. 

Hi Craig! How are you doing? 

Hello! I am doing great, thank you. I just got back from MINT Festival in Leeds, and it was bloody good fun. Some of the tunes were seriously good. 

Can you tell us about any exciting projects you have lined up for the upcoming months? 

At the moment, I am blasting out some guest mixes for various music culture websites like ‘6 am’ and ‘Magnetic Magazine’. If you want to hear some fresh, funky belters, have a look at my SoundCloud as they emerge. Most importantly, we have the festival season coming up, so the Campsite Kings will be out in full force. Noisily Festival in Leicestershire is next. Of course, I have several new tunes I cannot wait to release, and they will be out soon. 

What has inspired your latest productions and what can listeners expect from them? 

My last few tracks have been heavily influenced by Indie Dance wizards like Shagy and Jacob (IL), and some of the underground heroes of the Egypt music scene like Proof and Mooh. My tune ‘Stabby with Knives’ started out completely different to how the finished project sounds. After putting enough time in, you create your own inspiration. I also often take inspiration from my closest friends, as they can have great ideas for a track which I do my best to bring to life. I love that it feels like a wee challenge. With my tracks, you can always expect a good progression and the wait for the final drop to pay off. You can expect psychedelic-inspired sounds or rhythms, and I’d like to think you’d want to party when you hear them. 

Do you have any plans on releasing new remixes? What do you look for when choosing a track to remix or rework? 

I am always up for a remix; some of the best inspiration comes from hearing a rhythmic vocal. I am in the middle of a remix of a Nine & Dex single, a funky Rap track from a duo in England. I usually only like to take the acapella and then make all the instrumental myself, not using any of the original stems. 

Are there any collaborations in the works that you’re particularly excited about? 

I have been networking with some of my favourite artists, and I am hoping to get the chance to work with them. However, life is busy and gets in the way. If anyone likes my tunes and thinks we could make something great together, my email is on SoundCloud. 

How do you plan to challenge yourself creatively in the coming months? 

I guess the social media side of things is where the creation is lacking. Unfortunately, nowadays, the social media presence is where things really kick off. I am constantly in music production mode, and it’s easy to get stuck in the same routines and methods of music creation. I have bought some new hardware synths and some VST synths that I’d like to explore. Sometimes I feel my tracks can be lacking some atmospheric depth and sounds. This is an area I’d like to study more and bring a more professional sound to my projects. 

What role does experimentation play in your music-making process and how do you push the boundaries of your sound? 

Experimentation is everything, and my tracks always get to the point where I have several main sounds that I am toying with, and it can sound quite busy. Once I have played around and added the right saturation and grit or found the groove I am really after, that’s when I know I am on the path I want to be on. 

As a DJ, how do you curate your sets to keep them fresh and engaging for your audience? 

Often, I will go through any new tracks I have found – either new to me or just generally recent releases. I will always make a new folder on Rekordbox and categorise tunes, going from funky to more energetic towards the end. Between my friend circle, we get chances to practice together, and of course, our music tastes vary a bit. However, we all still appreciate a very well-made tune and a good mix. This gives me great confidence in the tracks I select and my own ability to play out the track in the best way possible. 

Are there any specific festivals or events you’re looking forward to playing at this year? 

I’m yet to be asked, but I am hopeful to finally see my name on the line-ups and show the crowds what amazing tunes are out there if you dig for them. But as I said before, I am still so happy to attend festivals. I will be partying at Noisily Festival in July and likely a couple more later in the year. 

Looking ahead, what are your long-term goals as a music producer and DJ, and how do you plan to achieve them? 

Honestly, my goal really is to just be able to make music my full-time profession and get out of the oil and gas industry. Time goes by far too fast when working a month at a time. I am the happiest man alive when behind the decks, and I can’t wait for the day that I realise I can do it for a living. Ideally, my long-term goal is to play a whole set using all my own tunes to the people who want to hear them. I don’t want to be the biggest and most famous, but I’d like to be reputable enough that the public will know they won’t be dissatisfied with my gigs. 

We conclude our interview with Craig Oram by thanking him for sharing his plans and creative insights for 2024. With a passion for music and a drive to continually evolve his sound, Craig Oram is set to make his mark on the Electronic Music scene this year; as he navigates sonic exploration, new releases, and potential collaborations, his dedication to his craft remains evident. Be sure to follow Craig Oram on his musical journey and stay tuned for the innovative sounds he promises to bring by keeping up to date with him via social media. 

Craig Oram Online  

Spotify | Instagram  

The post Inside Craig Oram’s Year Ahead: New Music Releases and Festival appeared first on EDMTunes.

FRED ABONG BLINDNESS MOOCHIN’ ABOUT RECORDS To those who follow Spill Magazine more closely, the name of Fred Abong might be familiar, and even more so, if they are fans of Throwing Muses and Belly, as Abong played bass for both bands back in the 80s. These days, Abong resides in New Orleans, has a […]

The post SPILL ALBUM REVIEW: FRED ABONG – BLINDNESS appeared first on The Spill Magazine.

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