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Several ladies have dominated the rap game over the last few years, and Big Boss Vette knows all about the power of going viral. After her ‘Pretty Girls Walk’ infiltrated the depths of social media and became an online firestorm, Vette is ready for her next big hit. No stranger to making fans stop and pay attention, the Missouri native returned this week with her explicit party single, ‘Ice Me.’ Like many of her raptress peers, Big Boss Vette didn’t hold her tongue in lyrically describing what she wants from her partner. [via HNHH]

Hackney multi-disciplinarian Bree Runway has shared new single ‘Just Like That’. A true all-rounder, Bree Runway has mastered everything she’s touched – an incredible performer, a magnet for fashion designers, she’s reframed British pop music to suit her own desires. Parting ways with EMI last year, Bree is now navigating music as an independent artist. A lightning bolt across a gloomy landscape, she’s back to add a little colour, a little extra flavour to our lives. Out now, ‘Just Like That’ is bold and arresting, the electrifying manner of its execution matching her fastidious creative tendencies. Bree comments… “The beautiful thing about this loud, spiky, destructive reintroduction to the world is that it’s not only a PSA that I’m back and I’m here to stay, but a reminder to myself that no matter how far I fall behind the fierce, confident, version of myself from the inevitable ways of life and this industry, I have the power to piece myself back to together “just like that”.” Backed by some typically incredible visuals, ‘Just That Like’ is Bree Runway’s latest statement – you have no choice but to obey. [via Clash]

ScarLip is an artist who has become known for her aggressive-sounding songs that pack a huge punch. Overall, fans have enjoyed the fact that she is bringing a unique flare to women’s rap. However, she found herself in the midst of controversy with her fans this past week. After sharing a clip from her music video for ‘She’s Hot,’ fans called her out for twerking. Some felt like an executive told her she needed to do that, with others feeling as though it was all out of character. In the end, ScarLip apologized and revealed that the twerking concept was her own. Since then, the song has arrived and it is a banger. Overall, this song is very much in line with Scar’s previous work in terms of both style and substance. The bars are fiery and braggadocious and they are delivered in a commanding way that makes you believe everything Scar says. She is a breath of fresh air in the rap world, and songs like these will continue to ingratiate her with fans. Hopefully, those same fans allow ScarLip to execute her artists vision on her terms, and her terms only. [via HNHH]

Rapper, Malyangapa, Barkindji woman, and the Blak Matriarch of Hip-Hop, BARKAA unleashes the fire within on her anthemic new single and music video, ‘PREACH’, out now via Bad Apples Music. Demanding attention and commanding respect, on ‘PREACH’ BARKAA speaks truth to her power, with a reminder to play it big, and that all of our voices can be forces for change. Inspiring strength and self-assuredness in all who hear the track, full of swagger, she confidently declares “I ain’t going nowhere sis”. The beat, produced by Brisbane producer Nerve, blends rapid snares, drum claps and harmonic keys to create a melodic soundscape that allows BARKAA’s raw authenticity and unapologetic passion to cut through: “Talk is cheap, I’ve talked about it, I’ve got new shit to PREACH!” BARKAA shared: “’Preach’ is a big fuck you to anybody who still doubts you today and doubted you yesterday. It’s about having a voice… that we’re allowed to bignote ourselves and be loud in our successes and achievements. That I don’t have to stay in the bucket the colony put there to drop my people in. I made it out of that bucket so I can come back and kick it over. I got a new team, I turned over a new leaf and got rid of people not only in my personal life, but in my work life, who were doing me wrong. This clip is a reminder that I ain’t done. It’s takeover season for Blak artists in this country and we ain’t getting the wool pulled over our eyes anymore. If they try, they’ll fuck around and find out.” [via Amnplify]

Flohio returns with new song ‘Juice’. The South London rapper is one of the best in the game, a perpetually under-rated artist who can cut it with some of her more high-profile peers. Fresh from stellar comeback ‘Make It Bang’, Flohio lifts the levels once more on her excellent new single ‘Juice’. Out now, it feels tailor-made for summer – absorbing electronic tropes into its framework, ‘Juice’ feels finessed for club use. Flohio comments… “‘Juice’ is one of those records where I had no plans or intentions in the direction it was going to go. I was feeling nice and in a really good mood that day, this was one of my first sessions with Oscar who produced the track so we were just testing the waters and came out with Juice in my little studio down in Bermondsey.” [via Clash]

The post first appeared on She Makes Music.

Francos de Montréal 2024 | Philippe Brach et Maten

En ce mercredi de canicule, les Francos de Montréal offraient Philippe Brach, Maten, Aliocha Schneider (qu’on a pris en photo) qui faisaient monter la température d’un cran. Photos par Alexanne Brisson Les Francos de Montréal offraient une soirée de concert alors que la canicule bat son plein à Montréal. Cela a peut-être impacté un peu…

L’article Francos de Montréal 2024 | Philippe Brach et Maten est apparu en premier sur Le Canal Auditif.

Survey Shows South Australia Needs A More Connected Music Industry

MusicSA have released the findings from their first annual survey of the South Australian contemporary music industry, conducted to reflect the current state of the local scene as well as “identify the sector’s perceived strengths and weaknesses to better inform and shape the future of MusicSA’s advocacy and industry development programs”.

According to the organisation, the findings (which you can read for yourself here) show that South Australia’s artists and music business professionals have a “strong demand for a better-connected music industry”, pointing out the need for “more professional and industry development, especially among regionally-based musicians and music businesses”.

One particularly striking question in the survey asked whether respondents thought the South Australian government was working well with the local music industry to effectively support it. Only 14.8 percent answered in the affirmative – with just 0.8 percent saying they “strongly agreed” with the sentiment – while 17.5 percent said they “strongly disagreed”, 22 percent said they “disagreed”, and another 22 percent said they “somewhat disagreed”.

Meanwhile, 80 percent of respondents said the financial state of the local industry is worse than it was before the COVID-19 pandemic (compared to 17 percent saying it’s the same, and three percent saying it’s better), with 52 percent saying the industry is suffering because of the rising costs to do business, inflation and the cost of living. A further 46 percent of respondents reported low or decreasing audience numbers, 41 percent reported a lack of potential to generate cash flow or income, and 35 percent reported a lack of paid performance opportunities for local artists.

In a formal statement, MusicSA CEO Christine Schloithe said of the inaugural report: “The outcomes from the 2024 survey paint an uncomfortable picture about the health of contemporary music in South Australia. While we have an extraordinary pool of talent and some very successful artists and businesses, local contemporary music is under-invested in and we see this in the lack of pathways, the lack of employment opportunities and sustainable careers, the decline in touring and live music, and in the business gaps that exist in our local ecosystem.

“The survey results reinforce what we know are the current challenges and opportunities for contemporary music in South Australia. We also know that with the right policy settings and targeted industry development and investment in the right areas, this is an industry that achieves significant cultural, creative and economic outcomes for the state.”

From here, MusicSA will pass the findings of their survey down to “key industry organisations, stakeholders and government”, and the body’s own industry development programs and initiatives, it’s promised, “will be tailored to [meet] the shifting needs of the local sector as highlighted in the survey”.

A rep for MusicSA notes of the effort: “Over time, it is intended that the annual survey will continue to benchmark the health of contemporary music in South Australia and build a longitudinal and comprehensive picture of industry gaps, growth, opportunity and trends.”

Katy Perry To Release First Single From Her New Album Next Month

Katy Perry will kick off an extraordinary new pop era this summer, beginning with the release of her new single, “Woman’s World,” on Thursday, July 11, at 7:00 PM ET/ 4:00 PM PT. The official video will premiere the morning of July 12. Today, the global pop superstar unveiled the single’s bold cover art, which was shot by acclaimed British photographer Jack Bridgland, and a snippet of the song on her social media. “Woman’s World” is the first single from Katy’s forthcoming album.

With a cumulative 115 billion streams alongside worldwide sales of over 70 million adjusted albums and 143 million tracks, Katy is one of the best-selling musical artists of all time. She’s one of only five recording artists in RIAA history to gain entry to the elite 100 Million Certified Songs club.
On Friday, September 20, Katy will headline the sold-out Rock in Rio in Brazil, marking her first performance at the Rio de Janeiro festival since 2015. // Continue to the full article

Troy Hawke Announces 2025 Australian Tour

Troy Hawke | Image via Supplied

Troy Hawke is set to return to Australia in 2025. The British comedian, known for his unique brand of humour, will bring his new show, ‘The Greeters Guild,’ in February.

The tour will kick off at Melbourne’s Comedy Theatre on Friday, 7th February, followed by Brisbane’s Brisbane Powerhouse on Tuesday, 11th February, and the tour will conclude with a final show at Perth’s Regal Theatre on Saturday, 15th February.

Troy Hawke – ‘Greeters Guild’

Troy Hawke, a character created by comedian Milo McCabe, has been a staple in the comedy scene for over a decade. McCabe’s portrayal of Hawke—a homeschooled 1930s gentleman with a penchant for Scrabble, conspiracy theories, and witty observations—has won him acclaim worldwide. Notably, he sold out his runs at the Edinburgh Festival in 2019 and 2022.

Hawke was last in Australia in 2023 for the Melbourne International Comedy Festival, where he sold out shows and earned rave reviews. Don’t miss your chance to see him live in 2025!

Pre-sale tickets are available starting today, Wednesday, June 19, at 9:30 am. Fans can register online for pre-sale access. General ticket sales begin on Thursday, June 20, at 9:30 am via Live Nation.

Troy Hawke Australian Tour 2024

Friday, 7th February – Comedy Theatre, Melbourne

Saturday, 8th February – Enmore Theatre, Sydney

Tuesday, 11th February – Brisbane Powerhouse, Brisbane

Thursday, 13th February – Norwood Concert Hall, Adelaide

Saturday, 15th February – Regal Theatre, Perth

Tickets via Live Nation Australia

Further Reading

Dune Rats And FIDLAR Announce 2024 Co-Headlining Tour

Infinity Song Announce First-Ever Australian Tour

Dylan Gossett Announces 2024 Australian Tour

The post Troy Hawke Announces 2025 Australian Tour appeared first on Music Feeds.