WPP ties up with Universal, home of artists from Taylor Swift to Elton John

WPP and Universal Music Group have announced a partnership that will give its clients access to data on fans of artists like Taylor Swift, Bob Dylan, Billie Eilish, Elton John, Kendrick Lamar – and most of the other acts you can think of. In a world where Swift’s Eras tour grossed $2 billion in ticket …

The post WPP ties up with Universal, home of artists from Taylor Swift to Elton John first appeared on More About Advertising.

Syn Cole – I Can Feel | DnB | NCS – Copyright Free Music

NoCopyrightSounds (NCS): Copyright free music for creators. Download & use this track for free in your next video → http://ncs.io/ Stream here → http://ncs.lnk.to/ Download other NCS music for free to use in your next video → https://ncs.io Follow NCS on Spotify → http://ncs.lnk.to/Spotify – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – no copyright sounds,copyright free music,ncs release,royalty free music,free music,ncs music,ncs songs,no copyright music,gaming music,ncs gaming music,ncs best songs,ncs music background,ncs music gaming,ncs music no copyright,ncs music playlist,nocopyrightsounds background music,nocopyrightsounds best songs,dance,Syn Cole,Syn Cole – Feel Good,Syn Cole – Reflect,Reflect,Ronaldo,Feel Good Ronaldo,house,house music [NCS] https://ncs.io https://ncs.lnk.to/Spotify https://instagram.com/nocopyrightsounds https://tiktok.com/@nocopyrightsounds [Syn Cole] • https://www.instagram.com/syncole – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – Message to all creators All NCS music is copyright free and safe for you to use on platforms like YouTube, TikTok and Twitch. You may not use any track for the purpose of creating a listening experience (i.e., a music video) where the music is the primary focus of the video. Please refer to our usage policy for our terms of use and how to use NCS music in your videos → http://ncs.io/UsagePolicy. – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – How to credit this track & artist(s) When you are using this track, please add this in your description: Track: Syn Cole – I Can Feel Music provided by NoCopyrightSounds. Watch more NCS on YouTube: https://NCS.lnk.to/YouTubeAT Free Download / Stream: http://ncs.io/ – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – Rec-ID: recrDyrTJj4836t6A #nocopyrightsounds #copyrightfree #royaltyfree

Hans Zimmer Explores Using Osmose on Dune: Part Two

Attack - News - Feat Images Hans Zimmer Osmose

In a new documentary produced by Expressive E, the company behind the Osmose, renowned German composer Hans Zimmer reveals how he utilized the cutting-edge instrument to craft the soundtrack for Dune: Part Two.

Hans Zimmer has made a new documentary showing his innovative approach to crafting the soundtrack for Dune: Part Two. Collaborating with Expressive E, the makers of the excellent Osmose, Zimmer has centered his work around their flagship instrument to redefine the possibilities of film scoring.

A New Chapter in Sci-Fi Film Scoring?

Released in March 2024, Denis Villeneuve’s Dune: Part Two expanded on its predecessor’s success. Central to this cinematic experience is Zimmer’s score, which blends futuristic sounds with a deeply human emotional core. Zimmer turned to the Osmose, a keyboard that leverages MIDI Polyphonic Expression (MPE) technology. We had the good fortune to try it ourselves this time last year. Its innovative key design allows players to shape sound dynamically through subtle gestures, such as pressing, sliding, or tilting the keys. These capabilities enable performers to control pitch, volume, intensity, and other nuances, making the instrument versatile and intuitive.

Zimmer x Expressive E

To maximize the Osmose’s potential, Zimmer worked closely with two musicians from Expressive E, integrating the instrument into his creative process. The team used the Osmose to design new sounds, interpret melodies, and manipulate the voices of actors and singers in the soundtrack.

The film’s score is a unique blend of acoustic and electronic elements, brought to life by the Osmose’s capabilities. Zimmer described the collaboration as a return to the essence of music, where experimentation and improvisation take center stage.

MPE Technology: The Foundation of the Osmose

The Osmose’s impact stems from its use of MPE technology providing musicians with unprecedented control over the articulation and nuance of each note, making the instrument particularly suited to film scoring.

Zimmer views the Osmose as a significant innovation in modern music, stating, “This is an important instrument. It’s a big step forward, and what might become the story of 21st-century music.”

The mini-documentary is available to watch on YouTube.

[social-links heading=”Follow Attack Magazine” facebook=”https://www.facebook.com/attackmag” twitter=”https://twitter.com/attackmag1″ instagram=”https://www.instagram.com/attackmag/” youtube=”https://www.youtube.com/user/attackmag” soundcloud=”https://soundcloud.com/attackmag” tiktok=”https://www.tiktok.com/@attackmagazine”]

[product-collection]

Charley Young Producer Seth Duncan Release “Under The Sky”


Today international music video award winning Charley Young (SAG-AFTRA AEA BMI) announced that her latest project, a collaborative effort with noted producer Seth Duncan, has been released and now available on all major distribution streams. Additionally, the song titled “Under The Sky” has been chosen by the globally syndicated Iconix Radio to spin up to five times per day on their popular “Iconix Radio Takeover” program for special guests. Charley shares, “It’s always a great time working with Seth. We’ve created this ‘Miami Vice’ type sound that references the ’80s while still being current and fresh. It’s an honor to get spins from Rosii and Anthony Johnson at Iconix as they are a great team working on big projects!” Also on international playlists for the month of December is Charley’s version of the holiday favorite “Mele Kalikimaka”. // Continue to the full article