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For most independent OOH operators, that list receives exactly one type of communication: a phone call,

The post first appeared on OOH TODAY.

Texas A&M races into new IndyCar sponsorships.

Thanks for the beauty | from @giadabrince | #beautiful #dj #girl #aesthetic #atmospheric

The band performed “Gold Album” cut “We Might as Well Be Strangers” on “The Tonight Show.”

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Pacha Ibiza has announced the dates, headliners and closing party for Grammy-nominated GORDO presents TARAKA, marking another defining chapter in the club’s enduring Ibiza story. Following a one-off launch event in May, GORDO brings his underground label TARAKA back to Pacha Ibiza for a six-week Tuesday residency running from 25 August through to 29 September. […]

The post GORDO Announces Major Pacha Ibiza Residency appeared first on The Nocturnal Times.

Solomun +1 welcomed DJ Gigola to Pacha Ibiza on Sunday, August 16, bringing one of Berlin’s most distinctive selectors to the latest edition of Ibiza’s long-running residency. More than a decade after its launch, the +1 format remains deliberately simple: one guest, extended individual sets, and a closing B2B guided by the shared creative chemistry […]

The post Solomun +1 at Pacha Ibiza with DJ Gigola: What Went Down appeared first on The Nocturnal Times.

Bug Teeth reimagines grief-stricken highlights on new remix EP ‘My Stupid Tree-Frog Daughter/Thin Circle’ Bug Teeth image via Hannah Woollam August 19, 2026 Leeds psych/dream-pop project Bug Teeth released ‘My Stupid Tree-Frog Daughter/Thin Circle’ (Remixes) via state51 distribution. The two-track release reworks songs from Bug Teeth’s acclaimed 2025 debut album, Micrographia, with fellow Leeds artists […]

The post Bug Teeth – ‘My Stupid Tree-Frog Daughter/Thin Circle’ appeared first on The Daily Music Report.

After a lengthy renovation, XS Nightclub is set to reopen its doors at Wynn Las Vegas, and the venue has now confirmed exactly who will be behind the decks for […]

The US musician, poet and performance artist reflects on “queer rap,” the industry that boxed him into it and the reinvention he’s built on the other side. A consummate multi-hyphenate, Mykki Blanco (formerly she/her, now he/him) came up in a specific New York moment: the early ’10s crossover between queer nightlife, noise and a rap underground that was just beginning to loosen its grip on who was allowed inside. Alongside artists like Le1f, Zebra Katz and Cakes da Killa, Blanco was lumped into a “queer rap” wave that acquired a cult following around the world, propped up MySpace and Tumblr. The co-signs came fast and from unlikely places. Blanco opened shows for Björk, Diplo and Major Lazer, collaborated with Madonna and spent seven months working closely with Kanye West. But he stayed outside the mainstream—partly by design, and partly because the industry of that era wasn’t willing to let a Black queer rapper be anything other than a Black queer rapper. In this Exchange, Blanco reflects on the music industry’s prejudices and limitations, and on how he’s risen above them. After a few years off the touring circuit, he’s back with a new album and a new sound. Café Paradiso, out in early September, is shaped less by the aggression that fuelled his early work, and more by solitude and mid-career reflection. He talks about his reinvention and more: the freedom that’s come from leaving rap, the blueprint he laid for a whole generation of queer artists coming up behind him and what working with West actually looked like from the inside. Listen to the episode in full.