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Mindset swung by to chat about his debut release on Memory Palace, his creative collaboration with Of The Trees, and the significance behind this milestone project.

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MADDS & Dainjaa – Chasing Bodies: a filthy 140 dubstep cut out on Dim Mak that swings as hard as it chews

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Building a professional EDM track does not require a massive budget, but it strictly demands high-quality source material. Modern electronic music relies heavily on pristine sound selection, whether you are hunting for punchy kicks, crisp hats, or unique vocal chops to carry your drop. If the foundational transients of your drum hits are weak, no …

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Photo by Rene Huemer via Phish’s Facebook page

Phish returned to their native New England last night for the first of two big shows at Boston’s Fenway Park. It was the Vermont Quartet’s first Fenway appearance since a two-night stand at the baseball stadium in 2019 and their first show since completing a thematic run of five dates at New York’s Madison Square Garden, where they revisited a handful of impactful years during their rise through the ranks in the 1990s.

Yesterday’s Fenway play kicked off with an 18-minute “Carini,” a rocking group composition Phish debuted in early 1997, during their first run after the transitional 1996 year they honored at their MSG finale. From there, the musicians jumped to the present day, with an extended, 13-minute take on “Everything’s Right,” a newer song that originated in Trey Anastasio’s solo repertoire and quickly became a Phish staple in 2017. That jam segued into “Back on the Train,” a cut Anastasio tested out on his first solo tour in 1999 before bringing it over to Phish that summer, and then the ensemble launched into their first repeat from their MSG run, “Free,” the stadium-approved Billy Breathes single that they used as their set closer during their penultimate MSG show on Monday. Tight versions of “Kill Devil Falls,” a showstopper from Phish’s 2009 reunion year, and “Harry Hood,” the cherished ’80s composition the band played at their MSG opener last week, rounded out the first set.

The post Phish Offer Biggest Bust Out in Band History appeared first on Relix.

With a rich history of collaboration between the two artists, Addison Groove and Sam Binga have joined forces once again to put together a debut collaborative album that fuses a flurry of club sounds including chicago house, detroit techno, electro and juke – inspired by the Midwest, whilst hitting the faster 140 to 150 bpm […]

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