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Weeks after a federal court rejected Sony Music’s request to supersize its Udio copyright lawsuit, the major label has responded by firing off a fresh complaint alleging the infringement of over 30,000 recordings. Sony Music made that follow-up action official today, after Judge Alvin K. Hellerstein closed out June by rejecting a request to file […]

Qobuz announces a year-long partnership with WYXR 91.7 FM, a Memphis-based, non-profit, community-powered radio station. Qobuz, the independently owned music streaming platform, has announced a year-long partnership with WYXR 91.7 FM, the non-profit, community-powered radio station based in Memphis. Running through 2027, the partnership will integrate Qobuz across WYXR’s on-air programming, digital platforms, and listener […]

Indonesia prepares major changes to its laws that could make the country the first in Southeast Asia to incorporate AI into its copyright framework. Indonesia is proposing a landmark copyright bill that could make the country the first in Southeast Asia to explicitly regulate AI in its copyright framework. The proposed legislation would grant copyright […]

The UK’s competition regulator is poised to investigate Live Nation and its domination of the country’s live music industry, echoing US moves. The UK’s Competition and Markets Authority (CMA) is reportedly gearing up for a major inquiry into Live Nation and the company’s power across the country’s live entertainment industry. The competition regulator has begun […]

Great for concerts and sing-along viewings of the film alike, the light sticks feature five LED colors and more than eight lighting sequences.

The third edition of R² Festival is set to feature performances from 6EJOU, Chris Liebing, Kiki Solvej, and more, along with a new 3D live show from Reinier Zonneveld.

The post Reinier Zonneveld Reveals Lineup for R² Festival 2026 appeared first on EDM Identity.

ENiGMA Dubz’s Mixtape 3: #Bars focuses on his passion for UK MC culture, employing a grime vocalist on each track spanning garage, dubstep, and DNB.

The post ENiGMA Dubz’s New Mixtape Features Dread MC, Emz, Crazy D, and More appeared first on EDM Identity.

HILLS & ESSE – Blow Your Mind: a bass house cut on IN / ROTATION that bets everything on a snarling, distorted low end

The post HILLS & ESSE – Blow Your Mind appeared first on By The Wavs.

The new soft synth adapts A. G. Cook’s layered supersaw production techniques for a dedicated plug-in. Super*Saw combines dual oscillator banks, patch morphing, harmonic tools, effects and Native Instruments hardware integration.

Native Instruments has released Super*Saw, a soft synth developed with British producer and PC Music founder A. G. Cook. The instrument is based on patches and production techniques Cook has used to create layered electronic textures for artists including Charli xcx, Caroline Polachek, Beyoncé and Oklou.

Developed over two years, the project involved Native Instruments’ design team working from Cook’s existing sounds and production sessions. Super*Saw is designed to bring techniques that can require several synthesiser instances, detailed automation and extensive routing into a single instrument.

Dual oscillator banks and patch morphing

Super*Saw is built around two independent oscillator banks, each generating up to 16 sawtooth waves. Supersaw sounds are commonly created by layering multiple saw waves and introducing small differences in tuning, phase, level and stereo position. The resulting wide and harmonically dense sound has long been associated with trance and rave, while also becoming prominent in hyperpop and contemporary electronic pop.

A four-corner X/Y Morpher allows users to store four separate patch states and move continuously between them. This makes it possible to alter several sound parameters through a single performance control rather than programming each transition separately with automation.

The instrument also includes chord, scale and quantisation functions intended to keep generated notes within a selected harmonic framework. Controlled deviations can be introduced for more dissonant results, while per-voice glide and offset controls provide adjustment of pitch movement and stereo positioning.

The interface shown in the release materials separates oscillator, morphing, modulation and effects controls across three main areas. Its visual identity and Morpher design were created with Simon Whybray, Cook’s long-term visual collaborator.

Presets

Super*Saw includes presets covering sustained harmonies, metallic textures, lead sounds, pitch glides, basses and stacked chords. Monophonic and polyphonic modes allow it to handle single-note leads and bass parts alongside wider chordal material.

Its internal effects include chorus, delay and reverb. Low-pass, band-pass and high-pass filters are available with two-pole and four-pole slopes. The instrument also integrates with Native Instruments’ Komplete Kontrol keyboards and Maschine hardware.

Super*Saw is priced at $99 or €99 and available now. Buy here.

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The clubby track is the first single off her upcoming album Lack of Joy is Death