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Mas Aya, Aymara Alvarado Sánchez & DJ Gloryhull @ Club Saw

The post Mas Aya, Aymara Alvarado Sánchez & DJ Gloryhull @ Club Saw appeared first on PhotogMusic.

Jessica Simpson has revealed she drinks a herbal drink that includes snake sperm.

Every week, I attempt to curate a list of best ads from around the world. In the recent past, ads from Dream11 released to coincide with the new season of IPL were much talked about. A new set of ads from Dream11 among others, are part of my list this week. Dream11: who is in […]

The post New Dream11 ads, ‘Ad Attack’ and more: best creative ideas of the week appeared first on Bhatnaturally.

Major industry figures are calling on both political parties to make the music sector a key priority at this year’s Federal Election. Last week, Prime Minister Anthony Albanese officially called the election for Saturday May 3rd and as he and Opposition Leader Peter Dutton commence their campaigns, ARIA CEO Annabelle Herd declared this year’s election […]

The post ‘Music is Part of What Makes a Future Worth Voting For’: ARIA CEO Calls For Govt Support Ahead of Election by Neil Griffiths appeared first on The Music Network.

Another Barker masterclass. Sam Barker asks more from techno. The artist known simply as Barker is one of electronic music’s most consistently conscientious and curious producers, challenging listeners to question the norms we accept about our shared culture—whether it’s the music that fills the room, the process behind it, or the purpose of the space itself. British-born yet based in Berlin since 2007, Barker forged a connection to many of the city’s leading institutions, including Ostgut Ton, and over the course of a long and fruitful relationship, he carved out one of the more singular paths on the club and label’s roster. Not one for orthodoxy, Barker challenged four-to-the-floor techno framework in favor of melodic experimentation. By decentering or completely stripping away the typical trappings of kick drums and claps, his productions are both light and immersive, buoyant in low-end presence and shimmering in weightless space. Six years after Utility, his sophomore album Stochastic Drift arrives this month. Shaped by pandemic-driven reinvention, it burrows deeper into harmonic twists and freeform drift. “At some point I became conscious of the process,” he wrote of his latest album. “The only thing you can do is embrace the uncertainty and see every change as a potential positive.” Consider his RA Podcast another sequel. Like his much-beloved 2019 mix for FACT, it’s a collage of live recordings and a fitting expression of the artist’s own internal spring. RA.982 radiates wide-eyed optimism: percussion cloaked in foggy, swirling pads and trance-like chords, neatly synched in synthetic glimmers. All in all, it’s an hour of music crafted for contemplation, collective euphoria, or heads-down epiphany—or for that matter, any moment, really, its emotive depth seemingly endless. Find the tracklist and Q&A at ra.co/podcast/982

From ‘Can’t Get You Out Of My Head’ to ‘Big Jet Plane,’ Dua Lipa showed her love for the Australian songbook.

Ricky Martin will return for his first Australian tour in a decade.

The dates will mark the 25th anniversary of his classic 2000 debut album

The post MJ Cole announces ‘Sincere’ 2025 UK tour appeared first on NME.

A large puddle near the Ultra Music Festival Mainstage forced organizers to briefly pause its programming.

The post Ultra Music Festival Temporarily Shut Down Due to Rain appeared first on EDM Identity.

With every scathing line and serrated hook riff in I’m Sorry, Yung Blasian proves that vulnerability in hyper-trap pop doesn’t have to come wrapped in polished platitudes. Instead, it hits like a sledgehammer wielded by someone with nothing left to lose. The Philadelphia-based artist, who has been quietly sharpening his sonic edge on SoundCloud since 2017, goes in for the emotional kill in his breakthrough hit, which carves through the noise with Latin-laced guitars, delay-drenched choral hooks, and a beat that knows no mercy once it drops. There’s no pretence in his lyrical candour—just a supercharged vignette of coming-of-age heartbreak told from the raw end of rejection. The Haitian-Japanese vocalist and producer doesn’t just wear his heart on his sleeve; he shreds it open to expose how quickly self-esteem can be reduced to rubble when left picking through the wreckage of fading affection. The emo-adjacent anguish isn’t self-indulgent. It’s methodical. Calculated. Intentional. Yung Blasian doesn’t give you space to pity him—he drags you into the chaos of every self-effacing lyric and leaves you reeling in the aftermath. Yet somehow, through the storm of scorn and dejection, he keeps the energy high. It’s a whiplash-inducing contrast that’s fast becoming his signature. […]

The post The Emotional Guillotine Falls with Hyper-Trap Pop Precision in Yung Blasian’s ‘I’m Sorry’ appeared first on A&R Factory.