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?HELLFXRMANCE – SRT’s & Hellcats (OUT NOW) ⤷ https://hypeddit.com/tribal/srtshellcats ? Subscribe and turn on notifications to stay updated! #TRIBALTRAP ⤷ http://bit.ly/TribalSub More like this? Follow our Spotify Playlists: ⤷ ? CAR: https://open.spotify.com/playlist/1HIustV9i4CVpvlDx1EcsD ⤷ ? PHONK: https://open.spotify.com/playlist/5P7NkTSkbT6r504d2FrfH3 ⤷ ? WORKOUT: https://open.spotify.com/playlist/71z6BdHlnfNj4DKRhuu1Fk Follow Tribal Trap: x https://soundcloud.com/tribaltrapmusic x https://www.instagram.com/tribaltrap x https://open.spotify.com/user/tribaltrap ? Send in your own tunes! submissions(at)tribaltrap(dot)com HELLFXRMANCE – SRT’s & Hellcats

Source: ATTN:Magazine. Review: Joseph White – (The Game is) Hypnosis Electronic processes deployed in emulation of the natural, forming a record that somehow feels serene in its rapid-fire stutters and darts. Crucial Listening #175: Liew Niyomkarn

Vancouver-based producer NXSTY, known for his dark basslines and genre-bending trap signature, has dropped his latest track, “Real Bad Man,” out on Boom Records. With a career spanning global tours and millions of streams across platforms, NXSTY is the one we trust to keep trap alive and conquering in the music industry. A name many …

NXSTY proves trap music is alive with the release of ‘Real Bad Man:’ Listen

Courting – Lust for Life, Or: ‘How To Thread The Needle And Come Out The Other Side To Tell The Story’ (Lower Third) Vinyl | CD | DL available here March 14 2025 Restless and ambitious: Courting’s new album is a thoroughly modern record made from a grand old Liverpool tradition. This record: I warn […]

The post Courting: Lust for Life – Review appeared first on Louder Than War.

PRI//’s latest album, Madonna’s Scrapbook, unpicks the illusions we construct from memories, photographs, and the carefully curated fragments of our past. Through dissonant beats, lo-fi textures, and a raw, unfiltered approach, the album doesn’t just explore nostalgia—it questions its reliability. In this interview, PRI// touches on the deceptive nature of images, the masks we wear to function, and the blurred lines between perception and reality. From the influence of Hubert Selby Jr. and Lou Reed to the uncomfortable truths buried within seemingly ordinary lives, PRI// dissects the beauty and horror of human nature with a brutal honesty that’s impossible to ignore. Welcome to A&R Factory, PRI. Your album, Madonna’s Scrapbook sounds like an intense, fragmented exploration of perception and memory that hints at nostalgia and illusion. What drew you to that concept, and how does it connect to the album’s themes?  I was doing lots of inner work when I was writing the songs. Lots of re-assessing my old memories and questioning my perspectives of them. I think we can hold on to a memory of something quite tightly and not want to let go of it, but maybe that isn’t even accurate. You’ve spoken about the deceptive nature of old photographs and […]

The post PRI//’s Scrapbook of Shadows: An Interview with the Artist appeared first on A&R Factory.

“I’ve always felt like an outsider, particularly in the British music industry,” she said at last night’s ceremony. “So it feels really nice to be recognised on this album, when I haven’t made any sacrifices”

The post Charli XCX sweeps 2025 BRIT Awards, pays homage to late collaborator SOPHIE: “Someone who none of us would be here without” appeared first on NME.

?VUTILE & shometyle – Decide (OUT NOW) ⤷ https://hypeddit.com/tribal/decide ? Subscribe and turn on notifications to stay updated! #TRIBALTRAP ⤷ http://bit.ly/TribalSub More like this? Follow our Spotify Playlists: ⤷ ? CAR: https://open.spotify.com/playlist/1HIustV9i4CVpvlDx1EcsD ⤷ ? PHONK: https://open.spotify.com/playlist/5P7NkTSkbT6r504d2FrfH3 ⤷ ? WORKOUT: https://open.spotify.com/playlist/71z6BdHlnfNj4DKRhuu1Fk Follow Tribal Trap: x https://soundcloud.com/tribaltrapmusic x https://www.instagram.com/tribaltrap x https://open.spotify.com/user/tribaltrap ? Send in your own tunes! submissions(at)tribaltrap(dot)com VUTILE & shometyle – Decide

Mali Wilson, the revered music executive, steps into the spotlight with her highly anticipated single “I’m Not Sorry”. This soul-stirring love ballad, co-written with Eric D. Wilson, marks a new chapter in both her career and personal journey.

Produced by award-winning artist, saxophonist, and producer Kenneth Whalum with Grammy award winning Miguel “MacGyver” Scott on mixing and mastering, “I’m Not Sorry” seamlessly blends soul, smooth jazz, timeless R&B, and a raw, unapologetic message of love.

Mali’s life transformed when her business friendship with Eric D. Wilson blossomed into romance, for a match made in heaven. Despite skeptics, they shared their love openly, inspiring others and going viral on social media. “I’m Not Sorry”, recorded at their private StoneWood Studios in Atlanta, showcases their divine connection. // Continue to the full article

Drum & Bass rarely carries this much ethereal weight, but Obsidian Cane and Gizella aren’t in the business of serving up the expected. Their latest single, Never Change, released on Reset Records UK, finds the perfect median between visceral energy and spectral serenity, where the frantic percussion doesn’t just drive the track—it elevates the transcendental vocal harmonies into another stratosphere. With a three-octave range that has been flexed across genres from UK Garage to Dubstep, Gizella pours a lifetime of versatility into this track, mirroring the sonic unpredictability of Obsidian Cane’s production. As harp-esque motifs shimmer through the mix, the composition pivots between the frenetic and the meditative, creating a push-pull dynamic that never loses momentum. The pairing may seem unlikely on paper—Gizella’s vocals carry the grace of classical technique with a touch of Bjork, while Obsidian Cane’s foundations lie in electronic intensity—but together, they craft a sound that is electrifyingly human. Their creative chemistry is no fluke. After years of producing music for major labels and television, Obsidian Cane was ready to walk away from the industry, only to be drawn back in by the digital age’s independent revolution. A chance connection led him to Gizella, who unknowingly auditioned while […]

The post Obsidian Cane & Gizella Turn Sonic Synthetics into a Soulful Inferno of Avant-Garde Transcendence in ‘Never Change’ appeared first on A&R Factory.

Named after a magical pig who dispenses soda, Oslo folk-fusion newcomers Pumpegris are all about fun, whimsy, and virtuosic songcraft.